Postplasticism: Spatial Applications of Robotic Fabrication with Ecofriendly Biopolymers

‘Postplasticism’ proposes a new biodesign paradigm for the 21st century, departing from the rigid geometries of Neoplasticism: the austere, geometrical, abstract style labelled by Dutch painter and art theoretician Piet Mondrian one century ago, which focused on strict, geometric forms and primary, applied colours. Unlike its predecessor, Postplasticism embraces complexity and material innovation, challenging synthetic materials with ecological alternatives like bioplastics and recycled polymers. This approach supports circularity, aiming for durable, low-impact architectural structures. Robotic fabrication plays a key role, providing precision, minimising waste, and allowing complex designs previously unattainable with traditional methods. In micro-living-working spaces, Postplasticism advocates for adaptable designs optimising space without sacrificing comfort, using 3D printing for customisation and ergonomic solutions. Biomorphic design elements, natural light and greenery, enhance the connection to the environment while maintaining functionality. For Ars Electronica 2024, this paradigm materialises in the HOPE: Hybrid Organic Postplastic Environments by REX|LAB micro-living-working installation, featuring flexible partitions and bespoke furniture for an open, scalable design. Roboticly 3D printed biocomposite PLA blends achieve the intricate geometries. Aligned with the symposium’s goals, Postplasticism advances design-driven construction strategies, integrating biological principles and computational processes. This material-based approach fosters practical solutions for modern architectural challenges, seeking to redefine compact living by blending ecology, adaptability, and low-impact design, with biopolymer materials and robotics creating sustainable environments for the future.